8/10/2023 0 Comments Classic negative presetThis is a simple update to the Superia Xtra 400 Film Simulation Recipe, which was originally made for X-Trans IV cameras. Red & Green Bush – Buckeye, AZ – Fujifilm X-T5 – “Superia Xtra 400” For best results, use the Superia Summer Film Simulation Recipe in sunny daytime light it does alright in cloudy conditions, too, as long as it’s not thick overcast.Ĭlassic Negative Dynamic Range: DR400 Highlight: -1.5 Shadow: -0.5 Color: +1 Noise Reduction: -4 Sharpness: -1 Clarity: -4 Grain Effect: Weak, Small Color Chrome Effect: Off Color Chrome Effect Blue: Weak White Balance: 5300K, +3 Red & -6 Blue ISO: Auto, up to ISO 6400 Exposure Compensation: +1/3 to +1 (typically)Įxample photographs, all camera-made JPEGs using this “Superia Summer” Film Simulation Recipe on my Fujifilm X-E4: For the X100V and X-Pro3, I recommend using the Fujicolor 100 Gold Recipe or Superia Xtra 400 Recipe instead, which produce similar results, or simply set Highlight to -1 and Shadow to 0. Because Blue is rendered more deeply on X-Trans V cameras, set Color Chrome FX Blue to Off in order to use it on the X-T5, X-H2, or X-H2s (or any other X-Trans V camera that is released after this writing). This Superia Summer Film Simulation Recipe is compatible with the Fujifilm X-T4, X-S10, X-E4, and X-T30 II cameras. I cannot overstate just how much I like it!Ģnd Story Windows – Buckeye, AZ – Fujifilm X-E4 & 90mm – “Superia Summer” It has a strong warm cast, but still retains that distinct Superia palette, so I’m calling it Superia Summer. It reminds me of Fujicolor Superia-maybe 200 or 400-overexposed by about a stop, and shot with a warming filter (such as an 81a or 81b) or maybe with a Takumar lens that has turned yellow due to the thorium coating-perhaps printed on Kodak paper, too, instead of Fujifilm Crystal Archive. What I do know is that it produces beautiful analog-like pictures. The results were stunning! Why didn’t I use it back in September? I don’t know. Just recently I noticed this Recipe in my camera, and-not remembering what it was-I decided to shoot with it. The story of it is a complete mystery to me. I suppose I initially created it back on September 21, but I don’t remember why. That’s the case with this Recipe: it was programmed into C5 on my Fujifilm X-E4 with the custom name “Exp 9/21” and no further details. It might have been a film photograph I saw, or a film stock someone requested I copy, or a certain photographer’s aesthetic-whatever it was, I just don’t remember. Occasionally I forget the story behind an experimental Recipe-why the settings are the way they are, and what I was intending to mimic. Sometimes these developmental settings become Recipes and sometimes they don’t (more don’t than do). I almost always have several experimental Film Simulation Recipes programmed into each of my Fujifilm cameras. Fading Flowers in the Desert – Buckeye, AZ – Fujifilm X-E4 & 27mm – “Superia Summer”
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